Amadea of Susa
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Amadea Ulyssa (Common: Amadea Ulyssa) (13th of Sun’s Smile, 1846-8th of the Deep Cold, 1905), regally Amadea of Susa and monikered The Monarch, The Formidable, was the 18th Queen-Consort of Hanseti-Ruska through her marriage to Karl III of Haense in 1869. For 26 years, she reigned as a consort until she was declared the 1st Queen of Hanseti-Ruska at Karl's side. As Queen, for the last six years of her tenure and life, she held the same rights and dignity as any King prior.
Uniquely, she is known for her imperial origins amidst heightened tensions between the then-Holy Orenian Empire and the Kingdom of Hanseti-Ruska. Such can be seen in her apprenticeship under both Queen Emma of Jerovitz and Empress Anastasia I. She overcame these upbringings, using her cosmopolitan knowledge, to rule as one of the most unyielding queens in Haeseni's history. Alongside such, she was commonly compared to her predecessor, Emma of Jerovitz, due to their starkly different personalities and policies which bred an environment of competitiveness within the courts.
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Early life (1846-1873)
Amadea Ulyssa d'Arkent was born in the year 1846 to Baron Wilhelm Lucius and his wife, Alina of Susa. Her early life unfolded within the somber tapestry of Oren, marked by a profound tragedy that cast a shadow over her family. A mere three years prior to her birth, the Carrington family mourned the untimely loss of its eldest scion, Philippa, who was tragically murdered. The weight of this heart-wrenching event hung heavily over the household, causing her mother to descend into abysmal despair and effectively withdraw from the family's daily affairs.
Amadea, the youngest of four siblings, found herself thrust into a world where sorrow coexisted with responsibility. Following Philippa's tragic demise, her elder sister, Coraline, assumed the role of a de facto matriarch as Wilhelm, their father, more often than not, was immersed in the intrigues of the capital, forsaking their countryside manor and leaving his progeny to navigate the labyrinth of existence.
Nevertheless, young Amadea displayed unwavering resolve and focus. Even in these trying circumstances, she exhibited an early penchant for the arts, the comportment of a socialite, and an entrepreneurial spirit. Remarkably, at the tender age of ten, she breathed life into Carrington Couture, a far-reaching clothing emporium that earned the favor of both the Empress of Oren and the Queen of Haense. Her designs adorned the regal garments of these two grand empires. Amadea's interests spanned a wide spectrum, delving into the realm of zoology, where she authored public treatises on suitable animal companions. She also ventured into the world of dance, becoming a protege of the Casimiran Institute of the Physical Arts, a demanding ballet academy overseen by her sister, Coraline.
Fate took an unexpected turn when she was dispatched to the Kingdom of Hanseti-Ruska as a ward under Queen Emma's benevolent patronage. Here, she immersed herself in the rich culture and courtly etiquette of the Haeseni realm, forming profound bonds with notable figures, including the Grand Prince of Kusoraev Karl Sigmar, Angelika vas Ruthern, and Isabel Baruch. These bonds that she forged during her time in Haense would carry forward and become integral to Amadea's life for years to come, as these individuals would play significant roles in her future.
However, her idyllic stay in Haense was abruptly disrupted by the tumult of war, as conflict engulfed the lands of Haense and Oren. Unbeknownst to her father in Oren, Amadea's presence in Haense had gone unnoticed. It was only when he learned of her absence that she was swiftly summoned back to the Barony of Carrington. Back in Oren, she resumed her education under the guidance of Empress Anastasia, who continued to nurture her burgeoning artistic talents and refine her courtly manners. It was under this guidance that at the tender age of fourteen, Amadea embarked on her journey as an aspiring playwright, giving birth to her inaugural work, "The Womanizer," which would later resonate with acclaim on the stages of Hanseti-Ruska.
In Oren, Amadea often emulated the namesake she bore, Amadea Ulyssa, by immersing herself in her namesake's pastimes and occasionally donning her attire. Throughout this period of separation Amadea and Karl maintained a steadfast connection, relying on discreet messengers to exchange heartfelt missives in the midst of a tumultuous era. Upon reaching the age of eighteen, Amadea retraced her steps to Haense, where she was unveiled to the noble society during the venerable Haeseni Lifstala. Here, she was presented as a potential match for the male nobility of Hanseti-Ruska, rekindling her close bond with Karl and embarking on the next chapter of her illustrious journey.
Abolishment of Carrington (1868)
The dissolution of the House of Carrington unfolded as a consequence of Amadea's return to Haense and her subsequent betrothal to Karl. It marked a period of considerable turbulence for her ancestral house. Amadea's decision to depart the family home left the barony in a state of near vacancy. Her father's frequent absence, her mother's mysterious disappearance, her brother's role as Consort of Pruvia, and her sister's enigmatic departure all contributed to this tumultuous state of affairs, drawing the scrutiny of the Emperor of Oren.
In their earnest attempt to address the predicament, both Amadea and her father endeavored to plead their case before the Emperor. They proposed that the title of Baroness would be more fitting under Amadea's care than her sister's. However, their efforts proved futile. Whether Coraline had gleaned knowledge of Amadea's conversations with the Emperor or had other motivations remained shrouded in mystery. Regardless, Coraline made the fateful decision to dissolve the Barony of Carrington, and with it, the very name of the house. This momentous act stripped Amadea of her noble status, leaving her with the title of Miss Amadea d'Arkent.
The dissolution of House Carrington posed a significant obstacle, complicating the betrothal between Amadea and the future King of Haense. Marrying a foreign commoner was considered unsuitable for the heir to the Haense throne. Consequently, Amadea was compelled to adopt her late mother's name, Alina Basrid. In doing so, she severed her prior connection to her father's lineage in favor of her maternal ancestral roots. From that point forward, Amadea was recognized as Amadea of Susa, signifying a momentous occasion for the Comital House of Basrid and imposing a profound burden upon the Carrington family.
Marriage
In the year 1871, Amadea and Karl Sigmar came together in a sacred union. Their wedding took place within the illustrious Basilica of Saint Henrik, under the solemn officiation of the esteemed High Pontiff Tylos II. Much like Karl's parents, who had married two years prior to ascending the throne, the event was significant in their lives.
The wedding of the Grand Prince of Kusoraev and Amadea was a grand and opulent affair, extending over the course of several months filled with festive celebrations. Their deep affection for each other had long been known, and their engagement was announced shortly after the conclusion of their lifstala, an expected development given the strength of their bond. Their union was celebrated not for its political implications but for the love that bound them, even as the ongoing conflict with the Empire of Oren loomed in the background. It was widely acknowledged as a match based on genuine affection, symbolizing hope for a brighter future.
Queen-Consort of Hanseti-Ruska
Queen of Hanseti-Ruska
Titles, Styles, and Honors
Titles and Styles
- 1846-1868 Her Ladyship, Amadea d'Arkent-Carrington
- 1868-1869 Her Ladyship, Amadea Basrid
- 1869-1873 Her Serene Highness, the Grand Princess of Kusoraev
- 1873-1899: Her Royal Majesty, the Queen of Hanseti-Ruska
- 1899-1905: Her Royal Majesty, Amadea I, Queen of Hanseti-Ruska
Style as Queen Consort
Her Royal Majesty, Amadea of Susa, Queen-Consort of Hanseti and Ruska
Full Style as Queen of Hanseti-Ruska
Her Royal Majesty Amadea of Susa, by the Grace of Godan Queen of Hanseti and Ruska, Grand Hetmanas of the Army, Princess of Bihar, Dules, Lahy, Muldav, Solvesborg, Slesvik and Ulgaard, Duchess of Carnatia and Vanaheim, Margrave of Korstadt, Rothswald and Vasiland, Countess of Alban, Alimar, Baranya, Graiswald, Karikhov, Karovia, Kaunas, Kavat, Kovachgrad, Kvasz, Markev, Nenzing, Torun, and Toruv, Viscountess of Varna, Baroness of Esenstadt, Kraken’s Watch, Kralta, Krepost, Lorentz, Rytsburg, Thurant, Venzia and Astfield, Lady of the Westfolk, Protector of the Highlanders, etcetera.
Issue
| Name | Birth | Death | Marriage | |
|---|---|---|---|---|
| Georg I | 1872 | Alive | Esfir of Jerovitz | Firstborn son of Karl III and Amadea, successor to the Haense throne |
| Marius Audemar, Duke of Markev | 1874 | Alive | Unwed | Secondborn son of Karl III and Amadea |
| Analiesa Josefina, Duchess of Karosgrad, Princess Royal | 1876 | Alive | Aleksandr I, Duke of Vidaus | Firstborn daughter of Karl III and Amadea, Twin to Nikolas, Princess Royal at 16 |
| Nikolas Leopold, Duke of Greywyn | 1876 | Alive | Unwed | Thirdborn son of Karl III and Amadea, Twin to Analiesa |
